By Jenny Halper
Ellyn Bache’s novel Safe Passage depicts the effect
1983’s Beirut bombing has on the eccentric family of a possibly murdered
marine. The film, set twelve years later, begins with a “premonition dream”-
Margaret “Mag” Singer (Susan Sarandon) imagining all seven of her
sons disappearing under a dark cloud. Frantic, she calls her estranged husband
Patrick (Sam Shepard), who, unhappily sleeping in his office, scoffs at her
neurosis (“Why don’t you call all the boys and make an inquiry?”),
and makes a teasing bid to come back home. That afternoon, word comes that the
Sinai Marine barracks where middle child Percival (Matt Keeslar) is stationed
have been bombed, and Mag’s worst maternal nightmare is realized.
Safe Passage, which spans three days as the Singers wait for
news of their son’s fate, is not nearly as clichéd as I’d
expected. I kept waiting for Percival to be found dead, for Mag to unravel completely,
for the film- slightly unevenly directed by Robert Allan Ackerman (TV’s
The Reagans)- to deteriorate into a sentimental sob-fest. Thankfully, it didn’t.
The type of story I’d have attributed to novelist Anne Tyler, whose offbeat,
remarkably humorous depictions of people in crisis tend to be cinematically
compatible (The Accidental Tourist made for a fantastic movie;
Earthly Possessions was turned into an above-average television
film starring Sarandon and Stephen Dorff), Safe Passage maintains
a lighthearted tone despite its heavy subject matter.
Tyler-esque, the films’ chock-full of eccentric activity- Mag copes by
blasting Mazursky and leaping on the neighbor’s vicious dog, Patrick succumbs
to on-and off bouts of temporary blindness, and their sons- all too familiar
with their parent’s crazy antics- simply try to cope. All fairly movie-of-the-week
stuff, it’s reinvented by Sarandon and Shepard, who breathe life into
clichéd husband/wife scenes that we’ve seen a hundred times. These
two seasoned actors could stare at each other across a dinner table, without
any lines, and still be incredibly engaging- that’s how palpable their
chemistry is.
In regards to the screenplay, adapted from Bache’s novel by Deena Goldstein,
I’m not sure why it switched the time period from the eighties to the
ninetees- focusing on a real life incident would have made a more dynamic film.
It also is a bit too literary- never settling on a specific tone, interjecting
awkward flashbacks and introducing several characters too briefly. For instance,
there’s an entertaining but unnecessary appearance by Philip Bosco as
a family friend named Mort (I got the sense that several of his scenes were
cut), and Marcia Gay Harden is mostly wasted as the girlfriend of Sarandon and
Shepard’s handsome eldest son (Robert Sean Leonard). Riveting in simple
moments- there’s a great exchange in which Sarandon and Gay Harden discuss
motherhood and romance over tequila shots- Safe Passage functions as a testament
to the fierce mothers of the world, headstrong women run by their maternal instincts.
Knockout performances really make this film well worth your while. The seven
gorgeous sons are played with differing doses of earnestness and awkwardness
by Sean Leonard, Sean Astin, Keeslar, Philip Arthur Ross, Stephen Robert Ross,
Jason London, and an adorable, dread locked Nick Stahl, who appeared in “Passage”
shortly after his breakthrough portrayal of Mel Gibson’s protégé
in The Man Without a Face. For fans of Stahl- all grown-up
and stealing scenes in diverse films like In The Bedroom and
Terminator III- Safe Passage is a must see.
Gay Harden, although briefly glimpsed, also does some nice work. As a madly-in-love
couple fighting every second of the way, Shepard and Sarandon reprise roles
they’ve played before, but they both turn in incredibly complex performances.
It’s too bad the Safe Passage DVD is barebones- no special
features here. Though the Main Menu screen- accompanied by images and score-
is lovely, all it offers is Dolby and Stereo Surround Sound, a Scene Selection
menu, Spanish and English subtitles, a trailer for the film, and several previews.
There’s also a DVD Rom option, which requires Internet hook-up.
The Bottom Line: Despite some unevenness, director Ackerman has fashioned an
engaging movie with fine acting and a touching story. Though not a film to buy,
as a rental Safe Passage won’t disappoint.